There is school of thought that says, no good will ever come from a director who is represented by a single moniker: McG, Taz and, of course, Pitof, director of Catwoman. Arguably the most derided of all superhero adaptations, its faults are many. One of the most obvious being that it wildly deviates from its source material, managing to weave a plot that is by turns moronic, nonsensical and most astonishingly of all, took four whole writers to craft.
The one fantastical element on show is the crushingly poor acting of Halle Berry, who with all the CG in Hollywood is unable to look anything less than wooden. Her performance is so bad, that on release, one critic suggested she relinquish her Oscar as punishment.
With little else to offer, the film is heavily reliant on special effects. They come in two flavours, at best eye-strainingly awful, at worst a poorly animated shitstorm. A typical scene involves Catwoman leaping from roof to floor in a blur of CG accompanied by fitful editing and an ear popping R&B score. Upon landing Berry will say something uninspired, trite, and sometimes both: "Miaow" or perhaps "That's purrrrfect" (she is a CAT-WOMAN...do you get it?). In a flash, Berry will kick a goon in the throat, gyrate across the floor and scrabble up a wall in a CG flurry.
What grates the most, as with many films on this list, is how the makers have taken something good and turned it into a patronising, bland and soulless exercise which should have been left in the litter tray.
- Tom Fenwick, The 10 worst comic book adaptations of all time, Denofgeek.com
[Blog post number 1000! Hoopla!]